Showing posts with label Shudder. Show all posts
Showing posts with label Shudder. Show all posts

Sunday, August 2, 2020

The Muji Movie Minute: HOST (2020) Review



THE MUJI MOVIE MINUTE- “Host” is a timely movie with a few good scares that proves Zoom calls can indeed get even worse.

6 months ago, plenty of people had never heard of Zoom. We all know what Zoom is now and most of us are using it or some other type of video conferencing software in some capacity. Some of us use Zoom as a business solution. At this point in the pandemic we are all tired of hearing dress shirt and shorts jokes in video conferences at work. Seriously, there is a special place in hell for people who still laugh at those terrible, unoriginal jokes. Some of use zoom as a safe option to maintain social distancing and still stay in touch with our friends.  In director Rob Savage’s “Host” a group of friends use Zoom to participate in a séance. A couple of people in the group do not take the séance seriously, which turns out to be a big mistake.

“Host” is a real triumph of true indie filmmaking. It’s a great example of ignoring your limitations and just taking the tools that you have and making something. Stuck in the middle of this pandemic Rob Savage went viral by making a horror short set in a two-minute Zoom meeting. Shudder’s Craig Engler reached out and Savage agreed to turn the short into a feature. The cast of the movie all had to film themselves as Savage directed them remotely. It was a true do it yourself project.

“Host” is about 6 friends who decide to participate in a Séance over Zoom lead by not so reliable medium. Very quickly you find out that a couple of the friends won’t be taking the séance seriously. Longtime fans of Horror know where this will lead and its not anywhere fun. After a couple of practical jokes the group accidently summons something evil and, due to some bad luck with Wi-Fi, aren’t able to successfully close their circle thus leaving the evil entity to roam free and leaving themselves in a fight for their lives.

One of the major strengths of “Host” is the pacing. At a runtime of only 56 minutes this movie has no filler. The first few minutes are used to get to know the characters, the next few to set the scene for all the action, and the last third of the movie is just nonstop set pieces and scares. There is not anything truly original in “Host”. While we’ve seen all of these scares and set ups before, Savage and the cast execute everything so impeccably that you don’t care. There are some truly great jump scares in this movie, many of which were either expertly setup in the first few minutes of the film or are achieved by using all of the negative space in many of the shots. This movie has a lot of open doors and hallways in the background in most every shot.

I must admit that when I heard of this movie’s existence, I was not overly excited. I knew that someone would eventually make a movie set in the pandemic with some sort of video conferencing gimmick and that it would probably be terrible. I am pleased to tell you that I was wrong, and that “Host” is one of the scariest movies of the year. Turn off your lights, your phone, and turn on Shudder. You wont regret spending less than an hour of your night watching “The Host”. I mean, what the hell else do you have to do right now anyways?





Monday, May 25, 2020

CFF 2020 Review - Creepshow (TV Series) - Grey Matter - Commentary with Greg Nicotero and Philip DeBlasi


By The Rev Dan Wilson



     While they may not be for everyone I certainly love me a horror anthology (as you heard on the latest episode of Seeking Human Victims covering John Carpenter's Bodybags (1993), available now!)  and Creepshow as a brand would certainly be on the Mount Rushmore of great horror anthologies. Even better yet, Creepshow spawned an entire franchise. Creepshow 2 held it's own as a sequel that is equal to, and in the eyes of some greater than, the original. Ok, so we all got hit with the Men In Black memory wipe after we saw Creepshow 3 (Really a Creepshow film in name only), but oh have ya heard the good news? it has returned to glory in television series form thanks to the almighty Greg Nicotero, AMC Networks, and Shudder. The first season debuted over the fall of last year and at least in my opinion it completely rocked. I mean it hit me right in the nostalgia. I tuned in with wide eyes and a maniacal grin every week as soon as The Creep popped up on my TV.   Tom Savini is involved, Joe Hill is involved, of course Stephen King is involved. There are comic panels during the transitions, cameos by horror icons, plenty of references and shoutouts, and basically everything you could want in a Creepshow TV series. It was so popular that it actually got a re-airing on live TV via AMC during the current content drought and a 2nd Season is in the works.

So the fine folks at Chattanooga Film Festival teamed up with Shudder to bring us an Exclusive Preview of the Director's Commentary on the Gray Matter/House With The Head episodes that will be featured on thh Creepshow physical media release on Digital HD, DVD & Bluray coming out on June 2nd.  We're going to talk about the commentary on the "Grey Matter" portion.  Not really sure how you "review" a commentary but I can talk about some of the things I found interesting.

  The commentary was provided by Philip DeBlasi (co-writer along with Byron Willinger) along with Showrunner Greg Nicotero. Some of the highlights included Nicotero explaining that The Crate in the intro is the original "Crate" from the first movie. Greg got it from Tom Savini and wanted it to be the way we're introduced to the new chapter. He says the entire episode is full of Stephen King references and in-jokes up to and including the casting of Adrienne Barbeau. He goes through each of them but of course of we don't want to spoil them ahead of the Blu Ray release. Greg called in favors to get Esposito, Bell, and Barbeau.  We get a nice look at why certain camera angles were chose to help convey the story progression as it spirals out of control.  They talk in depth about each character's motivation and we got some insight into things that may not have necessarily been spelled out in the episode. We also got a lot of info about the locations they used to shoot, all in the metro Atlanta area. He explains how this episode had more digital effects than most of the other episodes, they actually got extra money to make it and they praised the Sound Design as being key to making the episode work.

 I know Greg is mainly known to mainstream America as "Walking Dead" guy now, and that's an amazing legacy to leave in it's own right but I'm not sure we as a horror community quite recognize the level of greatness we have still with us in him. In each of our podcast episodes when we're examining these all time classic horror films, time and time again it was Greg and K&B that did the effects work. Not only that, he went on to become a director and showrunner. He transitioned from an all time great special effects artist, to an all time great overall creator, leader and storyteller. These commentaries will be things that horror fans and aspiring filmmakers will be studying decades down the road.  I can not wait for Season 2. I've heard the names of a few of the filmmakers who are slated to do episodes and it is exciting stuff, so here's to holding out hope that it doesn't get delayed for too long. In the meantime you can stream it right now on Shudder, watch it on TV via AMC, or buy your own hard copy for your shelf on June 2nd with a boatload of bonus features including the commentaries featured here.

Monday, November 18, 2019

SHV - S04E09 - Mayhem (2017)

Our "decade of death" continues with the 2017 workplace horror/action/comedy MAYHEM from director Joe Lynch, starring Steven Yeun and Samara Weaving. On this episode host Rev Dan Wilson explains why this was his favorite film of the decade and how the message resonated with him on such a level that it was a catalyst for a major life change. 

Available on all major podcast providers!

SHV - S20E09 - The Devils (1971)

Yup We went there. Again. One of the most controversial (and more relevant today than ever) movies of all time. Ken Russell's 1971 epic,...