Sunday, November 22, 2020

SHV - Thanksgiving Special 2020 - Pumpkinhead (1988)

 We're back in 2020 for more holiday bonus episodes as we attempt to start a new Thanksgiving tradition with the Pumpkinhead franchise. We're starting right at the beginning as we dissect the impressive creature work on display in what was also FX legend Stan Winston's directorial debut. It is also one of the few horror films that provides an accurate representation of Appalachia and we delve into that a bit as well. No commentary tracks here, this is the return to the classic Seeking Human Victims format. So sit down with us and break bread as we enjoy some Pumpkin Pie, Pumpkin Beer and Pumpkinhead.

Sunday, November 15, 2020

SHV - S08E10 - The Simpsons: Treehouse Of Horror X (1999)

 This week we say farewell to the first family of Springfield (for the time being a t least.) with the Simpsons: Treehouse Of Commentary Season Finale looking at "Treehouse Of Horror X", containing the segments "I Know What you Diddily-iddily-Did. ", Desperately Xeeking Xena", and "Life's A Glitch and Then You Die." as they take on I Know What You Did Last Summer, Toxic Nerd Culture, and the Y2K bug. 

We'll be going on holiday break after this episode, but look out for 2 holiday specials (Pumpkinhead (1988) 11/23 & Silent Night Deadly Night (1984), 12/14) as well as some re-releases including our Christmas themed short horror film that made it's film festival debut in 2020,  "I Got A Rock." during the off time. 

Seeking Human Victims: Season 9 - Clive Barker Terror Timeline begins in January of 2021. Thanks for your support & here's to a better year for everyone ahead. 


Follow us on social media @OGScare for updates!

Sunday, November 8, 2020

SHV - S08E09 - The Simpsons: Treehouse Of Horror IX

We're almost at the end of the line, but we're still extended your Halloween celebration by 2 more weeks as we bring yet another Simpsons Treehouse commentary this time on the 9th edition of the famed Halloween Special with the segments "Hell Toupee", "The Terror Of Tiny Toon" , "Starship Poopers". Available Now on all major podcast outlets!

Monday, November 2, 2020

FAFF 2020 Review: Anonymous Animals will make your skin crawl.

FAFF 2020 Review: Anonymous Animals will make your skin crawl.


By: The Rev. Dan Wilson

French filmmakers aren’t afraid to make some fucked up movies and hot damn do I love that about them. I recall our coverage of the Chattanooga Film Festival back in the spring for the movie Jumbo. It was sold to me as “a movie about a girl who does the nasty with a Tilt-A-Whirl”. While that was a bit of a gross oversimplification, it was equal parts completely bizarre and surprisingly sweet. By the end I was actually rooting for the forbidden lovers to succeed. 


Well, 2020’s Anonymous Animals by Director/Writer Baptiste Rouveure is a French film that checks any sort of that optimism at the door and gives you an all out sensory assault and sense of impending doom throughout instead, but it sure does deliver on the fucked up part. 


The premise is pretty simple. The world of humans and animals has been flipped on its head and the rolls are now reversed. They treat us exactly as we treat them, and the results aren’t pretty. We see a literal “Deer Hunter” chasing after pitiful human prey as he brandishes a shotgun. We see cattle herding people and sending them through the old slaughterhouse to be made into meat, we see a pack of dogs making humans fight each other to the death, and a number of other disturbing reversal of fortune scenarios. 


This is some weird, trippy, experimental filmmaking at its best. I recommend watching it half in the bag, though I’d avoid any sort of hallucinogens as it could lead to a bad time. There really isn’t much of a coherent plot per se, just a collection of examples of these supremely disturbing humanoid creatures with animal heads inflicting some variety of torture on a hapless human. 

There is also absolutely no dialogue in the entire movie. Just humans screaming in terror and animals grunting and making disturbing animal noises. 


I suppose there is some sort of Peta inspired or Vegan message here, since we ultimately find out that we really wouldn’t like it at all if animals treated us the way that we treat them, but it didn’t change my diet or anything. I don’t feel like they’re going for that in any sort of heavy handed manner here, the main goal is clearly to make a disturbing film. Most of the gore or violence is implied or cut away from, yet there are snapshots from this thing that will haunt me for weeks to come and there is a real artistic flair about the imagery, the mood the film sets, and overall disturbing tone. This is the type of movie that gets under your skin, sits there a while and causes you to think. If that sounds like your kind of film, then you should seek out Anonymous Animals. 



[Frightening Ass Film Fest Review] “Lucky” is an allegorical character study on the daily threats that face the modern woman

[Frightening Ass Film Fest Review] “Lucky” is an allegorical character study on the daily threats that face the modern woman.

By The Great Muji

“Lucky”, directed by Natasha Kermani, is a movie about the trauma that women deal with, or more accurately are expected to deal with, every day. Written by and starring Brea Grant, “Lucky” uses the typical horror of a slasher movie to tell the story of many real-life horrors that all too many women face.


Grant stars as May, who is having troubles in both her personal and professional life. May is a self-help author whose latest book is not selling as well as expected. At home she is dealing with relationship issues. Her husband Ted(Dhruv Uday Singh) is not very emotionally supportive. On top of these issues, a man breaks into her house and attempts to kill her. This would seem like a real cause for alarm, right? Sadly for May it seems like she’s the only one worried about these nightly attacks.


The nightly attacks set the tone for what May will face for the rest of the movie. After the first attack Ted tells her that it happens every single night and its just something she has to deal with. When she makes a big deal about it Ted just packs a bag and leaves her all alone. The police tell her not to worry, that the man is probably already gone and wont come back. When he does they assure her they are doing what they can and suggest she gets some mace and work on her relationship with her missing husband if she wants to be safe. Her friends tell her that she is brave. But no one offers any real help. 


Brea Grant gives a great performance. It’s the kind of performance that demands she continues to get more leading roles. She’s able to portray a very strong, independent female who is also flawed. Her character May is very capable. She is able to continuously not only fight off her attacker but also injure him night after night. The killer then supernaturally disappears and soon starts to come back not only during the day but away from her house as well.


The movie looks great and is well acted all around. The score fits the film pretty well.  I must admit I’m not in love with the third act. Throughout, the film plays a bit with reality and It really takes some of the absurdity from the first part of the film up a level and ends with a bit of an unsatisfying conclusion. But that’s ok. For a movie that is probably not meant for me(or maybe it is meant exactly for me?) I enjoyed enough of it. I also believe that the subject matter is important enough that it’s a movie that should be seen.






Sunday, November 1, 2020

SHV - S08E08 - Treehouse Of Horror VIII (1997)

 Halloween may be over, but we're not finished celebrating it with The Simpsons. Much like the actual show we're rocking the Treehouse well beyond the holiday...because we can. This is another big episode featuring another 3 of the top tier Treehouse Segments with "The Homega Man", "Fly vs Fly" and "Easy Bake Coven." 





Seeking Human Victims "Quick Cut" Bonus Episode: FAFF 2020 Review: Bad Candy

https://www.patreon.com/posts/43368643


Saturday, October 31, 2020

[Frightening Ass Film Fest Review] “Spare Parts” by The Great Muji.

[Frightening Ass Film Fest Review] “Spare Parts” is a punk survival tale that never reaches the heights it aspires to but is still plenty of fun.


By The Great Muji

The Frightening Ass Film Fest has provided me with an opportunity that I haven’t had in a long time, to go into a movie knowing absolutely nothing about it. This takes me back to the glory days of my childhood when I would go to the video store and choose a couple of rentals based simply off the box art. Of course, this would always lead to mixed results. Sometimes I would stumble across something great that would last as a favorite for the rest of my life, but often times it would lead to a disastrous viewing of a terrible film whose box art was a complete misrepresentation of the movie inside. Either way, the process of picking the movie and going in only knowing what the VHS cover told me was always an exhilarating feeling, even when it brought such mixed results. Watching director Andrew Thomas Hunt’s “Spare Parts” gave me a similar feeling, “Spare Parts” is a movie that is sometimes exhilarating but ended up leaving me with very mixed feelings.

“Spare Parts” starts out with a bang. We meet a punk band led by sisters Amy(Michelle Argyris) and Emma(Emily Alatalo). After a dude gets on stage and attempts to interrupt their performance at a bar, the sisters and their bandmates kick the asses of the dude and his friends. Then Amy disappears to hook up with fan as Emma is left to talk to a creep by herself. This early scene does a great job of setting up the dynamic between the sisters. The band then has some car trouble and is tricked by the local police(classic) into being abducted by a crazy cult that lives in an old junkyard. They are all put to sleep and wake up with amputated arms that have been replaced with various weapons. The band is then forced into a makeshift arena to fight for their lives Roman gladiator style against some other abducted people. It’s a really great set up.

Once we settle into the movie is where it becomes a bit uneven. Throughout the movie different cult members attempt to pit the sisters against each other. Its easy to understand that both sisters are jealous of one another for different reasons, but not enough character work happens to really make you care about either. Even in the movies final minutes I really didn’t care who (if anyone) was going to survive. Another issue was the action scenes. Some of them were great! There was a lot of good gore in this movie. There was also some gore that wasn’t so awesome and few brutal kills that were completely cut way from. 

Ultimately the movie falls into a repetitive routine where the girls argue, and train then fight. In between different cult members, led by their leader The Emperor (Julian Richings in a very good, memorable performance), attempt to indoctrinate the sisters with the cult’s ideals. The reasons why the cult members decide to stay loyal after being abducted really don’t add up. This is the part where I believe the movie aspires to have a little more depth than it ultimately does, but that’s ok. 

Despite it’s flaws, “Spare Parts” is still a fun a pretty fun movie overall. Having women with weapons screwed onto their arms and fighting in a gladiator arena can make up for a lot of a movie’s flaws. What the movie does get right makes it worth a watch.


FAFF 2020 Review: "Hail To The Deadites!"

By: The Rev Dan Wilson

Director Steve Villenueve (Under The Scares, Stories Of A Gravedigger, The Mask Of James Henry) is a lifelong Evil Dead fan who was able to take that fandom and give it a thorough examination in the 2020 documentary “Hail To The Deadites” which premiered earlier this year at Fantasia Fest (and that I saw as part of Chattanooga Film Fest's annual Halloween party, Frightening Ass Film Fest. Frightening Ass Film Fest - Get your badge here!)


There have been several great “behind the scenes” pieces released for the various “Evil Dead” installments and subsequent TV series, generally located as part of the special features on your media format of choice. And while there are several great fan communities in the horror world, (ie: Halloween, Nightmare, Friday The 13th, Scream, etc), it is true there is a unique sense of community in the Evil Dead fandom.  This documentary is actually not about the films themselves, but the fandom and culture that surrounds them. 


Any time I wear an Evil Dead shirt or hat and go in public, it is guaranteed to be a conversation starter. Speaking from experience at my former job, pro wrestlers love Evil Dead. (Former UFC and current WWE star Matt Riddle is one of them.) Hell people love Evil Dead. Sometimes people who aren’t even otherwise horror fans. There is just something about it that draws people in. More specifically, people love Ash. He has to be the most popular “good guy” character in horror by a milestone.  He is tough, resourceful, a complete smartass, and he never gives up and can take a legendary ass kicking while talking shit the whole time. Given his importance to the community it was great to see Bruce Campbell heavily involved in this documentary and showing a real genuine appreciation for the fans of Evil Dead. 


We also heard from most of the living cast and crew of both Evil Dead and Evil Dead II in the film, (RIP Danny Hicks, who we lost earlier this year) with the Evil Dead II stars being particularly appreciative of the love the films have garnered over the years. The only noticeable absences were of course Sam Raimi (though his brother Ted certainly had plenty of facetime) and Rob Tapert. 


In this film we meet Deadites of all varieties from all over the place. We met an Ash cosplayer named Adam who really does strongly resemble a young Bruce, a couple who got married at an Evil Dead convention where they got FX maestro Tom Sullivan to help with their proposal, AC and her baby Ash, who was born with a heart defect but refuses to give up (hence the name), and a who’s who of Evil Dead collectors, obsessives and megafans. 


As a nerd for useless junk, I also appreciated the level of detail we got covering the various Evil Dead merch and toys that have been released over the years starting all the way back to the McFarlane Movie Maniacs figures from the 90s. It was a real treat to see some of these collections and I almost feel like there could be an entire documentary just dedicated to that side of Evil Dead fandom. 


Another unique piece of this presentation was that Villenueve elected not to use any footage from the films and instead collected a trove of fan film footage, art, animations and original music for the documentary cut scenes where film footage would normally be found and the results really made the whole thing come together as this ultimate love letter to the Evil Dead fan community. 


I assume this was shot a few years ago, as the only real bummer about the whole thing is that at the end of the documentary they’re all talking about Ash vs Evil Dead as if it was the finish line for the story of Ash and we know of course that it got cut short when the show was cancelled by Starz prior to the 4th and final season, and then Bruce Campbell announced his subsequent retirement from the Ash character. We have gotten a bit of good news on that front recently though as rumblings of “EVIL DEAD RISE”, a new sequel created by the original team, is on the slate soon and we’re told it will be “Evil Dead comes to the city.” Campbell has denied any sort of return of Ash, though is actively involved on the project as as a producer and it is rumored the film will have a female lead. Plenty of plot threads were certainly left open between the Evil Dead “remake/requel” from 2013 and the Ash vs Evil Dead TV series. There was Mia, there was Kelly and there was Ash’s daughter. Our new heroine could also just be a brand new character and of course we all hope that Bruce is bluffing and that Ash will return at least one final time to officially pass the torch. But...that’s just the Evil Dead fan in me rambling at this point. I could talk about my love of this franchise for hours, therefore this documentary hit all of the sweet spots for me. 


Hail to the Deadites, Baby! 

Monday, October 26, 2020

SHV - S08E07 - The Simpsons: Treehouse Of Horror VII (1996)

 On this week we bring you our final Treehouse Commentary before Halloween 2020, but not the final episode of the season! (These continue into November with 10 episodes total, which isn't unfamiliar to Simpsons fans due to baseball pre-emptions of the actual special.) This one is a doozie and may be Anni's favorite Treehouse episode including the segments "The Thing & I", "The Genesis Tub" and the all too timely "Citizen Kang". 

Available on iTunes, Spotify, Stitcher, iHeartRadio & other major podcast providers. 


Sunday, October 18, 2020

SHV - S08E06 - The Simpsons: Treehouse Of Horror VI (1995)

We're back for part 6 of our Simpsons Treehouse Of Horror Commentary Season as part of the Seeking Human Victims Halloween 2020 celebration. This episode includes the kaiju inspired demolition derby "Attack Of The 50 Foot Eyesores" , the surprisingly faithful Wes Craven adaptation "Nightmare On Evergreen Terrace" , and the at the time groundbreaking Homer3. Plus The Great Muji shares his top 5 Halloween movies that get him in the mood for the season. 

Sunday, October 11, 2020

SHV - S08E05 - The Simpsons: Treehouse Of Horror V

 The SHV crew has returned for yet another Simpsons "Treehouse Of Commentary" as we celebrate Halloween Simpsons Style with Treehouse Of Horror 5! This episode was called by creator David Mirkin "the most distrubing Halloween special ever made" which was in direct backlash to Congress taking the show to task for the violence in the previous season's episode. It also contains another full movie parody in another one of the show's "shining" moments with "The Shinning", plus the incredible segments Time & Punishment, and Nightmare Cafeteria. 

Available on all major podcast providers! http://linktr.ee/OGScare

Sunday, October 4, 2020

SHV - S08E04 - The Simpsons: Treehouse Of Horror IV

 The hits keep on coming with another Simpsons: Treehouse Of Commentary, this time looking at the 4th "Simpsons Halloween Special", also arguably one of the best ones ever made as it includes "The Devil & Homer Simpson", "Terror At 5 & 1/2 Feet" and "Bart Simpson's Dracula". We'll look at what Merry Melodies cartoon inspired the "Homer in Hell" scene and how it was Matt Groening's favorite piece of animation, what Disney villain made a brief appearance, and ask the burning question...who the hell is James Coco? That's just in the first segment! Plus special musical guest, former With Faith Or Flames guitarist Eric Weatherford's brand new Synth-wave project SHREDDERFORD helps us get spooky with the Halloween jam "Ghoul School". Check him out at https://distrokid.com/hyperfollow/shredderford/ghoul-school


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Sunday, September 27, 2020

SHV - S08E03 - The Simpsons: Treehouse Of Horror III (1992)

 We're back with another Simpsons Halloween Commentary, this time covering Dan's personal favorite of the "Treehouse" episodes which includes the segments "Clown Without Pity", "King Homer" and "Dial Z For Zombies". Ever wonder just how "out of date" Mr Burns' references are? Did you know one of Matt Groening's all time favorite moments is in this episode? Did you possibly think we'd make it a week without another Twilight Zone parody? Answers to these questions and more inside. Available on all major podcast providers!

Sunday, September 20, 2020

SHV - S08E02 - The Simpsons: Treehouse Of Horror II (1991)

TREEHOUSE OF COMMENTARY continues as the gags get more bizarre and the twilight zone references get more heavy handed in Treehouse Of Horror II. This episode introduces multiple long running traditions for the annual halloween special and the segments only get more gory as each is a nightmare that Homer ("IF I ONLY HAD A BRAIN"), Bart ("THE BART ZONE") and Lisa ("THE MONKEY'S PAW") have after overindulging on Halloween candy. "Join Dan, Anni and Todd for an episode so fun it will have you saying. "LOOK AT MEEE I'M DAVEYY CROCKETT!"

Available on iTunes, Spotify, Stitcher and all other major podcast providers. 

Sunday, September 13, 2020

SHV - S08E01 - Treehouse Of Horror (1990)

 Happy Halloween from Seeking Human Victims. This year we're celebrating every horror fan's favorite holiday with one of the purest expressions of Halloween and Horror Movie joy ever injected in to pop culture, The Simpson's annual "Treehouse Of Horror" special. We're switching the format up a bit with these and doing them as fan commentaries so we can point to the actual parts in the episodes where the things we discuss take place. First up, the one that started it all, the original 1990 "Simpsons Halloween Special"  featuring "Bad Dream House" , "Hungry Are The Damned" (featuring the debut of Kang & Kodos)  and "The Raven" (narrated by James Earl Jones). These include tons of personal stories on how the episodes effected our lives, lots of off the wall trivia, genuine reactions and we try to point out every reference and explain where it came from, plus a brief history on the show itself and some of the key players behind it. Fire up your Disney +/DVDs/Blu Rays/Virus ridden torrents that you downloaded to your PS3 in 2007/VHS tapes, etc and join us for SEASON 8 - TREEHOUSE OF COMMENTARY. 

Sunday, September 6, 2020

SHV - S07E10 - Crawl (2019)

 The Aquatic Horror Beach Party has come to an end but before we turn out the lights and kick you out we've just gotta fight one more round of Alligators..in a category 5 hurricane! Horror icons Alexander Aja and Sam Raimi team up for a heart stopping, claustrophobic nightmare in 2019's Crawl!

Sunday, August 30, 2020

SHV - S07E09 - Piranha 3D

 For the first time in SHV history, we're covering both an original and a remake in the same season! This week we're talking the gore drenched, star studded boob-fest that is Alexander Aja's Piranha 3D. This episode also includes a reveal about one of the 2021 season themes and is the penultimate episode for Season 7 : "Aquatic Horror Beach Party".  Join us for the most fun you can have talking about floating dongs, "We The Piranhas" are back, and they demand it.

Sunday, August 23, 2020

SHV - S07E08 - Deep Rising (1998)

 This week we say goodbye to the giant sea monster for this season with 1998's Deep Rising, starring Treat Williams and Famke Janssen from director Stephen Sommers (The Mummy (1999) Van Helsing, ) This one has action, pirates and a giant almost Lovecraftian monster. How does it hold up all these years later? The SHV crew gives you their thoughts. 

Monday, August 17, 2020

SHV - S07E07 - The Abyss (1989)

 While not technically a horror movie (though the cast and crew might disagree) , James Cameron's undersea epic, The Abyss,  was the film responsible for the tidal wave of aquatic horror that appeared in the year of 1989 as all the rest of Hollywood knew is that Cameron was making some sort of underwater sea monster extravaganza and they wanted to beat him to the punch. What emerged is one of the most ambitious and insane "making of "stories in cinema history and we're diving into it on this week's episode. 


Available at podcast providers everywhere!

Sunday, August 9, 2020

SHV - S07E06 - Deepstar Six (1989)

 The Aquatic Horror Beach party is rockin' and rollin' into 1989 for the deluge of sea monster movies that all piggybacked off the hype of James Cameron's "The Abyss" (which we'll cover next week!). Even Friday The 13th's own creator Sean S Cunningham threw his hat into the ring with Deepstar Six, deciding if he couldn't make the best of these movies, he could at least make the first one.  Featuring musical guest "Obscene Division" with the song "Knock Knock."  IG - Poltergeist_OD,  Youtube: Poltergeist OD

Seeking Human Victims is available at iTunes, Spotify and all major podcast providers. 

Friday, August 7, 2020

The Muji Movie Minute: The Rental (2020) Review


THE MUJI MOVIE MINUTE: Dave Franco’s “The Rental” is a promising directorial debut that doesn’t quite stick the landing.


In “The Rental”, 2 couples rent a luxurious beach house for a weekend getaway that goes horribly wrong.  Charlie (Dan Stevens) and his wife Michelle (Alison Brie) decide to celebrate his company’s success with Charlie’s coworker Mina (Sheila Vand) and her boyfriend Josh (Jeremy Allen White). Josh also happens to be Charlie’s brother. Quickly it becomes obvious that there is not only at least a little more than professional admiration between Charlie and Mina but that Michelle and Josh both notice and are each dealing with it in different ways. Josh, an underachiever compared to his older brother, is afraid that the beautiful and talented Mina will realize that she can do better and leave him, Michelle isn’t happy having to share so much of her husband but has learned to accept it. These complicated relationships wont be anything new to those familiar with co-writer Joe Swanberg’s previous work in the Mumblecore genre. 

The strength of this movie comes from the performances and the relationship drama between the characters. The cast is great and is highlighted by Sheila Vand. Her character is more complicated than the normal final girl. She is smart, strong, and beautiful, but makes some very bad decisions as the film goes on. The movie also looks beautiful. Franco and cinematographer Christian Sprenger take full advantage of the giant beach house and beautiful location that it sets on. 

Sadly, this is almost a tale of 2 movies. The first 2/3’s is mostly a relationship drama which works really well. It’s the last third of the movie where it turns into a slasher that it starts to faulter. We are clued in early that someone is watching the house from a distance, but we don’t know who. Unfortunately, once we get to the action it is not very rushed and not suspenseful. It almost seems like we are just going through the motions to get to the final scenes’ revelations (which I wont spoil here). The characters also make some irrational choices. I love slashers and can forgive a lot when it comes to dumb decisions, but they really start to pile up over the last 30 minutes of this movie. It’s a real shame that the excellent character build up that the movie achieves just isn’t capitalized on. 

“The Rental” won’t make you afraid to book your next short-term rental but maybe it will make you at least be sure to lock your doors and windows. Dave Franco does show promise as a filmmaker even if this film’s final act feels like an afterthought. 



Monday, August 3, 2020

SHV - S07E05 - Leviathan (1989)

This week we move away from the early 80s JAWS copycats to the late 80s "Deep Sea Monster" wave of movies with the Peter Weller, Ernie Hudson, Meg Foster starring film,  "LEVIATHAN" from 1989.  This movie was a critical and commercial disaster upon it's release, but the SHV crew have come to defend the honor of this Aliens meets The Thing mashup at the bottom of the ocean. 

Sunday, August 2, 2020

The Muji Movie Minute: HOST (2020) Review



THE MUJI MOVIE MINUTE- “Host” is a timely movie with a few good scares that proves Zoom calls can indeed get even worse.

6 months ago, plenty of people had never heard of Zoom. We all know what Zoom is now and most of us are using it or some other type of video conferencing software in some capacity. Some of us use Zoom as a business solution. At this point in the pandemic we are all tired of hearing dress shirt and shorts jokes in video conferences at work. Seriously, there is a special place in hell for people who still laugh at those terrible, unoriginal jokes. Some of use zoom as a safe option to maintain social distancing and still stay in touch with our friends.  In director Rob Savage’s “Host” a group of friends use Zoom to participate in a séance. A couple of people in the group do not take the séance seriously, which turns out to be a big mistake.

“Host” is a real triumph of true indie filmmaking. It’s a great example of ignoring your limitations and just taking the tools that you have and making something. Stuck in the middle of this pandemic Rob Savage went viral by making a horror short set in a two-minute Zoom meeting. Shudder’s Craig Engler reached out and Savage agreed to turn the short into a feature. The cast of the movie all had to film themselves as Savage directed them remotely. It was a true do it yourself project.

“Host” is about 6 friends who decide to participate in a Séance over Zoom lead by not so reliable medium. Very quickly you find out that a couple of the friends won’t be taking the séance seriously. Longtime fans of Horror know where this will lead and its not anywhere fun. After a couple of practical jokes the group accidently summons something evil and, due to some bad luck with Wi-Fi, aren’t able to successfully close their circle thus leaving the evil entity to roam free and leaving themselves in a fight for their lives.

One of the major strengths of “Host” is the pacing. At a runtime of only 56 minutes this movie has no filler. The first few minutes are used to get to know the characters, the next few to set the scene for all the action, and the last third of the movie is just nonstop set pieces and scares. There is not anything truly original in “Host”. While we’ve seen all of these scares and set ups before, Savage and the cast execute everything so impeccably that you don’t care. There are some truly great jump scares in this movie, many of which were either expertly setup in the first few minutes of the film or are achieved by using all of the negative space in many of the shots. This movie has a lot of open doors and hallways in the background in most every shot.

I must admit that when I heard of this movie’s existence, I was not overly excited. I knew that someone would eventually make a movie set in the pandemic with some sort of video conferencing gimmick and that it would probably be terrible. I am pleased to tell you that I was wrong, and that “Host” is one of the scariest movies of the year. Turn off your lights, your phone, and turn on Shudder. You wont regret spending less than an hour of your night watching “The Host”. I mean, what the hell else do you have to do right now anyways?





Monday, July 27, 2020

SHV - S07E04 - Humanoids From The Deep (1980)

Some films about fish f**king win oscars....THIS AIN'T ONE OF THOSE. In what may be the sleaziest movie we've covered yet on Seeking Human Victims (and that covers some ground) , join us for another visit to Roger Corman's New World Pictures for the controversial, female director lead (who wanted her name removed from the credits) film "Humanoids From The Deep." 
Available on iTunes, Spotify and all major podcast outlets. 

Monday, July 20, 2020

SHV - S07E03 - Alligator (1980)

The Jaws "Cash in" trend continues with a film directed by Lewis Teague and writtten by John Sayles in 1980's "Alligator" and we go into detail on just how much fun we had with this,
in what may be another one of the best of the jawsamania movies. Robert Forster leads a cast of character actor royalty in the best time you can have watching a giant Gator run amuck. 

Monday, July 13, 2020

SHV - S07E02 - Piranha (1978)

This week we look at the directorial debut of a young Joe Dante (Gremlins, The Burbs, The Howling, Inner Space)  with the first in what became a series of "Jaws ripoff" movies that tried to cash in on the success of the Great White Bruce. This is also our first look at a Roger Corman production on the show and we learn how a B movie is elevated to something more wit the addition of a few great character actors and a brilliant up and coming writer (John Sayles) and director. 

Available now at all podcast providers!

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@OGScare

Wednesday, July 8, 2020

Jaws: The Board Game - Unboxing Video

The Great Muji is back! In honor of this week's episode of Seeking Human Victims, he's unboxing the Jaws Board Game from Ravensburger Games.

Monday, July 6, 2020

SHV - S07E01 - JAWS (1975)

"We're gonna need a bigger podcast." Join the SHV crew for the season premiere episode of "Aquatic Horror Beach Party" as we spend the summer indulging in your favorite nautical themed terrors. We felt there was no other way to kick this season off than with perhaps the most popular horror film of all time and a movie that changed the game in so many ways....JAWS. We look at the background of Steven Spielberg, the book the film was inspired from, the onset mishaps, the bold risks taken, the cast, the crew and so much more in this great white sized episode clocking just over 2 hours!

Available now on itunes, spotify, and all major podcast providers. 

Monday, June 22, 2020

SHV - S06E11 - Cigarette Burns (2005)


It is time to say farewell to season 6 and our journey into the life and career of John Carpenter with his 2005 Masters Of Horror episode "Cigarette Burns" starring Norman Reedus and Udo Kier. We'll also briefly cover Carpenters work and life from 1998 to 2005, and then from 2005 to the present and give our final thoughts on the impact of Carpenter on our lives and on film at large. Enjoy this season finale available on all major podcast providers! 

Seeking Human Victims returns with Season 7 - Aquatic Horror Beach Party - Episode 1 - JAWS (1975)  on July 6th.


Monday, June 15, 2020

SHV - S06E10 - Vampires (1998)

This week on Seeking Human Victims, we continue our "John Carpenter Terror Timeline" season as we look at Escape From LA and it's reception and how 1998's Vampires came out of that just as JC was about to call it quits on filmmaking and gave him a new spark once again as he finally got to make that Western he'd so longed for.  We look at a solid ensemble cast, the polarizing but memorable performance of James Woods, and how this was in many ways John's gnarly, visceral and hyper gory answer to the recent popularity of "Interview With A Vampire." among others. 

Available at itunes, Spotify and all other major podcast providers!

Monday, June 8, 2020

SHV - S06E09 - VIllage Of The Damned (1995)

We're back on The John Carpenter Terror Timeline with an all new episode of the Seeking Human Victims podcast! After taking a break to cover Chattanooga Film Festival, we return tackling Carpenter's 2nd remake of a film from his childhood. We learn how this was a rare positive experience working for a major studio , not to mention in a film that starred Superman and Luke Skywalker! (And was also Chrisopher Reeve's final role before his tragic accident.) Village Of The Damned. PLUS - Special Musical Guest: POLTERGEIST returns with his new song "Norman" - Follow him on social media @poltergeist_od. 

Available at all major podcast providers!

Monday, June 1, 2020

SHV - S06E08 - In The Mouth Of Madness (1995)

Do you read Sutter Cain? What about Stephen King? HP Lovecraft? This film gives us a little taste of all of the above as we continue the John Carpenter Terror Timeline with 1995's In The Mouth Of Madness starring Sam Neil. We look at yet another example of the horror master just being far too ahead of it's time. We'll deconstruct the casting, the shooting and discuss why we think this is one of the finest HP Lovecraft adaptations ever put to film... even if it isn't even an actual Lovecraft adaptation, but Carpenter's third entry in his own self titled "Apocalypse Trilogy". 



Available Now at All Major Podcast Providers!

Tuesday, May 26, 2020

Seeking Human Victims invades the Chattanooga Film Festival

One Good Scare was honored to participate as press for the historic 2020 virtual edition of the Chattanooga Film Festival. 

We recorded 3 very special bonus episodes of The Seeking Human Victims podcast for your listening pleasure. As to not interfere with with the episode numbering in the ongoing John Carpenter Terror Timeline season on our RSS feed, we have posted them on our Patreon page...but they are free for everyone!

Part 1:


Part 2:


Part 3:





CFF 2020 Review: Vinegar Syndrome's "Berzerker" Adds Norse Mythology to the Summer Camp Slasher.

Review by The Great Muji



The good folks at Vinegar Syndrome provided a few films for this years Chattanooga Film Festival and one of those was 1987’s Berserker, directed by Jefferson Richard. Released for the first time on Blu-ray by Vinegar Syndrome in 2019, Berserker is the tale of 6 young friends who rent a cabin in the woods so that they can party only to find out there is something dangerous lurking nearby. If this premise seems familiar to you then you are right, it is.  What makes this film different than the other billions of cabin in the woods 80’s slashers? This one includes a fight between a giant bear and a man-bear-Viking, aka a berserker.

The film starts with a little backstory. We learn that berserkers were Viking warriors who dressed in animal pelts during battle. The berserkers were cursed and would live like actual wild animals, which including eating humans, and couldn’t actually die until they passed on the berserker curse to a descendant. So right of the bat its safe to say that someone in this film is secretly a berserker. As the film proceeds a giant bear also appears and we are left to try and figure out if it is the bear or berserker who is doing the killing.

I must admit that the middle of this film does become a little dull at times. The campers themselves do not have a ton of personality and the humor that is possessed by so many of my favorite 80’s slashers is missing here. So many other slashers that  would have been forgettable were saved by great practical effects and I think that’s a big reason that Berserker stayed only available on VHS for so long and was almost forgotten. The gore and effects in this film are very minimal. However, there are a couple of interesting side characters, particularly the camp owner Pappy. Played by the always entertaining George Buck Flower, Pappy warns the campers to be careful, that there are wild animals in these woods. He is not kidding.

When we finally get to the final 15 minutes the shit really starts to go down. That’s where it is finally revealed that the berserker is responsible for all of the killing and that the big ass bear has been trying to protect the campers the whole time. We get a long bear vs. berserker fight scene, one that by itself makes this film memorable.

Even with its flaws Berserker was a lot of fun. The opening and last 15 minutes of the film made it one worth watching and for us slasher completists, one worth owning too. I have all kinds of films in my collection but none with bear fighting a Viking dressed as a bear. That will be remedied soon.




Monday, May 25, 2020

CFF 2020 Review - Creepshow (TV Series) - Grey Matter - Commentary with Greg Nicotero and Philip DeBlasi


By The Rev Dan Wilson



     While they may not be for everyone I certainly love me a horror anthology (as you heard on the latest episode of Seeking Human Victims covering John Carpenter's Bodybags (1993), available now!)  and Creepshow as a brand would certainly be on the Mount Rushmore of great horror anthologies. Even better yet, Creepshow spawned an entire franchise. Creepshow 2 held it's own as a sequel that is equal to, and in the eyes of some greater than, the original. Ok, so we all got hit with the Men In Black memory wipe after we saw Creepshow 3 (Really a Creepshow film in name only), but oh have ya heard the good news? it has returned to glory in television series form thanks to the almighty Greg Nicotero, AMC Networks, and Shudder. The first season debuted over the fall of last year and at least in my opinion it completely rocked. I mean it hit me right in the nostalgia. I tuned in with wide eyes and a maniacal grin every week as soon as The Creep popped up on my TV.   Tom Savini is involved, Joe Hill is involved, of course Stephen King is involved. There are comic panels during the transitions, cameos by horror icons, plenty of references and shoutouts, and basically everything you could want in a Creepshow TV series. It was so popular that it actually got a re-airing on live TV via AMC during the current content drought and a 2nd Season is in the works.

So the fine folks at Chattanooga Film Festival teamed up with Shudder to bring us an Exclusive Preview of the Director's Commentary on the Gray Matter/House With The Head episodes that will be featured on thh Creepshow physical media release on Digital HD, DVD & Bluray coming out on June 2nd.  We're going to talk about the commentary on the "Grey Matter" portion.  Not really sure how you "review" a commentary but I can talk about some of the things I found interesting.

  The commentary was provided by Philip DeBlasi (co-writer along with Byron Willinger) along with Showrunner Greg Nicotero. Some of the highlights included Nicotero explaining that The Crate in the intro is the original "Crate" from the first movie. Greg got it from Tom Savini and wanted it to be the way we're introduced to the new chapter. He says the entire episode is full of Stephen King references and in-jokes up to and including the casting of Adrienne Barbeau. He goes through each of them but of course of we don't want to spoil them ahead of the Blu Ray release. Greg called in favors to get Esposito, Bell, and Barbeau.  We get a nice look at why certain camera angles were chose to help convey the story progression as it spirals out of control.  They talk in depth about each character's motivation and we got some insight into things that may not have necessarily been spelled out in the episode. We also got a lot of info about the locations they used to shoot, all in the metro Atlanta area. He explains how this episode had more digital effects than most of the other episodes, they actually got extra money to make it and they praised the Sound Design as being key to making the episode work.

 I know Greg is mainly known to mainstream America as "Walking Dead" guy now, and that's an amazing legacy to leave in it's own right but I'm not sure we as a horror community quite recognize the level of greatness we have still with us in him. In each of our podcast episodes when we're examining these all time classic horror films, time and time again it was Greg and K&B that did the effects work. Not only that, he went on to become a director and showrunner. He transitioned from an all time great special effects artist, to an all time great overall creator, leader and storyteller. These commentaries will be things that horror fans and aspiring filmmakers will be studying decades down the road.  I can not wait for Season 2. I've heard the names of a few of the filmmakers who are slated to do episodes and it is exciting stuff, so here's to holding out hope that it doesn't get delayed for too long. In the meantime you can stream it right now on Shudder, watch it on TV via AMC, or buy your own hard copy for your shelf on June 2nd with a boatload of bonus features including the commentaries featured here.

Sunday, May 24, 2020

CFF 2020 Review: FULCI FOR FAKE Humanizes A Horror Deity

FULCI FOR FAKE (2019) Directed by Simone Scafidi

Review by The Rev Dan Wilson



 I have been a fairly casual Fulci fan since I discovered Zombi 2 on VHS as a teen in the 90s but was never a fanatic. I was in awe of the visuals on display but the dubbed voice acting made it difficult for me to connect with it beyond the surface level. Italian gore movies were great to put on at a party full of metalheads, a few memorable scenes would be joked about (Zombie vs Shark, anyone?), but were largely forgotten afterward.

 It was in my mid to late 20s that I gained a greater appreciation for them as my buddy Robert Everett had been sharing a series of his favorite late 70s and early 80s horror films with me, and it hit me at just the right time. This is where I discovered films like Burnt Offerings, The Sentinel, The Car, etc and there was just something to me about the atmosphere, or the way those films were shot, I’m not even sure I can describe it but it awoke something in me and I went on a mad hunt for other films that made me feel the way those movies did. It was this period in my life that really most inspired me to want to make my own films at some point. That’s when I discovered The Gates Of Hell Trilogy (City Of The Living Dead, The Beyond, House By The Cemetary) and those films stuck with me in a significant way. I later saw New York Ripper and it’s eye peeling brutality and outrageousness didn’t evoke any warm fuzzy feelings, but the pure disgust and discomfort it made me feel let me know I was watching something truly special.

 Hey I don’t want cinema to just be moving pictures flashing around in the background, I need it to do something to me. Psychologically, emotionally, spiritually. I don’t care which, but that is generally the barometer upon which I gauge art. I found that Fulci movies at that point in my life did in fact make me feel lots of things, so that’s where I really became a fan but even so knew little about his personal life, or who Fulci was as a man. So now as a guy who hosts a podcast that examines the filmmaking process and has to research hours upon hours of material weekly about historic horror filmmakers I love and admire, I know I’m going to have to do a deep dive into learning about the life and times of Lucio Fulci at some point in the coming months or years.

 I’ve also been watching horror documentaries my entire life going back to “The Making Of Thriller” on laserdisc being one of my first memories. I can find a playlist on Youtube now of John Carpenter interviews and let the Master Of Horror lull me to sleep and subconsciously plant filmmaking knowledge into my brain for 8 hours straight but information about Fulci, particularly his private world or creative motivations isn’t exactly readily available, so I was excited to see that the long awaited bio-pic/documentary hybrid FULCI FOR FAKE was part of the Chattanooga Film Festival 2020 lineup.

Director Simone Scafidi’s 2019 film uses a fictional story about an actor who is playing Fulci in a biopic, who is going around interviewing people who were important to Fulci in his real life to get to know who he was a person in order to better prepare for the role. While I don’t know that the framing device was necessary given there isn’t really a current “definitive” Fulci documentary, I appreciate that the filmmaker had a vision and stuck with it and it does keep the pace of the film moving and keep us from just looking at interview segment after interview segment.

 I was personally fascinated to learn about the death of his wife and how that tragedy greatly impacted Fulci personally to the point most said he never recovered from it, not to mention his daughter Camilla’s horseback riding accident, which was basically salt in the wound at that point and would end up inspiring parts of New York Ripper and the various other triumphs and tragedies that made him who he was. The film paints the picture of Fulci as a layered, intelligent, sophisticated, sensitive, passionate man. His friends and family aren’t afraid to discuss him candidly including his flaws, and that’s really where the film succeeds.

I think to me and a lot of American horror fans Fulci was this great and wise horror deity from “long ago and a land far away” and this film makes him more human, more relatable, a shows a side of him beyond just the work that he left us, and a little more of the man that he truly was. Highly recommended!

Saturday, May 23, 2020

CFF 2020 Review: World Premiere - Skull: The Mask

Skull: The Mask
Directed by Armando Fonseca & Kapel Foreman. 

Review by The Great Muji
“Skull: The Mask” is a super gory movie about a crazy skull mask. That’s enough for this guy

In the first 5 minutes of Skull the Mask we see a guy in mask with chains on it hit two guys with an Attitude Adjustment, dropkick, and Rock Bottom (Google pro wrestling if you don’t know) who then proceeds to decapitate 2 more guys and cut another’s hand off. This is followed by a ritual that results in one guy’s heart being pulled out and another dude’s head exploding. Needless to say, I was immediately in. 
Skull: The Mask is a blood-soaked supernatural slasher. The film starts in 1944 in the World War 2 era Amazon jungle. A group, who appear to be Nazis, have gotten control of an ancient artifact called the Mask of Anhanga and conduct a ritual that goes horribly wrong. Anhanga was the executioner for an old god named T’Uxlu, who is a guardian of the underworld. The mask is gone until it is uncovered by archaeologists and brought to present day Sao Paulo, Brazil where it finds a new host and starts ripping hearts out again.


Now, there are times when the movie slows down a bit with it’s competing plot threads. There is a lot going on in this movie. We have Beatriz Obdias (Natallia Rodrigues), who is attempting to find the skull and some missing children both because she is attempting to make up for a checkered past and because she is being blackmailed. There is Munco Ramirez (Wilton Andrade), who is son a man who attempted to defend the skull back in 1944 and has anticipated the return of the artifact. There is a sword wielding priest, an evil museum curator, and some missing children. But the most important character is the man the skull has taken over who runs through downtown Sao Paulo reminiscent of Jason in Friday the 13th Part VIII: Jason Takes Manhattan, ripping the hearts out of everyone he runs into.
Despite the somewhat convoluted plot directors Armanda Fonseca and Kapel Furman’s film really shines when there is blood and violence on the screen- lucky for us there is plenty. The stunning practical effects make this movie. There are exploding heads, hearts and intestines being ripped out, decapitations, a Stonecold Stunner, and a sword fight between the slasher in the skull mask and a priest. That’s right. I said there is a sword fight between a demonic slasher and a priest!


Skull: The Mask is most effective when it sticks to being an over the top gory slasher. When it dips into another genre it does not quite work as well. Luckily, there is a lot of slashing in this film. This is such a fun movie that my only regret is not getting to watch it with a live crowd. As much fun as I had it could have only been made better by watching this with 100 of my drunk friends. 

CFF2020 Report - Ice-T On "Surviving The Game"

By Rev. Dan Wilson



"PEOPLE DON'T PAY TO SEE NORMAL"



Legendary actor, rapper, heavy metal frontman, producer, author and pop culture icon Ice-T sat down with Cinepocalypse Founder Josh Goldbloom for a fascinating and candid conversation about the 1994 action thriller "Surviving The Game" and more at the first ever virtual edition of the Chattanooga Film Festival. 



This was originally slated to be T and director Ernest Dickerson (Juice, Bullet Proof, Demon Knight, Bones) but Dickerson didn't appear which was unfortunate and we hope everything is ok with him. (The CFF organizers have stated they will try to get Ernest back later in the weekend.)  Ice-T certainly made the most of now being the sole subject of the interview, however, as he dazzled us all with a number of tales from the set of the film, as well as his acting and music career and life in general.



Just a few of the highlights included:

-  Talking about his relationship with Gary Busey. He became friends with Gary when the cast went out to a local bar during country western night during the shoot. He said Busey loved him because T was the only person who would indulge his wild conspiracy stories about the CIA living inside our TV sets, etc. He said Busey actually rewrote the entire monologue his character in the film performs at the dinner table right before the hunt begins. T said there was a minor confrontation between Busey and Dickerson over it, who told him he couldn't just re-write the script. Gary persisted and got his way and wouldn't you know he ended up knocking it out of the park. 

- He said Rutger Hauer was a consummate professional but he never broke character the entire time they filmed and in fact he actually lived in the same cabin his character did during shooting, He also remarked that Hauer was a very large man and that he didn't quite realize that until he had to do fight scenes with him. 

- He said F Murray Abraham asked him if he'd ever had any acting classes and he said no. Abraham told him never to take one because it would interfere with his method. He told him he had "it" and that teachers would just make him question his amazing natural instincts. T said he followed that advice most of his career and it served him pretty well as he's now one of the longest running live action actors in a series on Law & Order. He did make sure to re-iterate that he only plays a cop on TV and is definitely not a cop. T said he doesn't even really have a "method" necessarily and that he really learned to act by having to go in front of a judge. 

- T cited Bruce Lee and Blacksploitation actors like Fred Williamson and Jim Kelly as some of his primary acting influences. 

- He talked briefly about Body Count, and said he got into heavy music at a young age thanks to the influence of a family member. Like most of us who love metal, he discovered Black Sabbath and it was over from there. 

- He talked a bit about working with Ice Cube in the film TRESPASS and praised that experience mentioning that he was already close with Cube and he got to work with the legendary Walter Hill as well as legendary actors like Bill Paxton and William Sadler. T went on to reflect about how much fun Bill Paxton was and how fond he was of him and that we still feel the pain of his loss today.

- T said he's accomplished most everything he set out to do in life so now it is about finding the balance of stopping to smell the roses and enjoying the fruits of his labor with trying to find new things that spark him creatively. He says he's working on the first ever animated blacksploitation film called Tech City and that Dr. Dre and Snoop Dogg are involved. 

Honestly this was a certified hoot. I'm a big fan of Ernest Dickerson and while he was sorely missed, I couldn't imagine being more entertained than I was posting up and listening to Ice-T sit there and tell me stories like we were having a beer at the bar together. Experiences like that are what sets this festival apart. 

You can currently pick up the new Body Count album "Carnivore' available now from Century Media records. Available on Spotify, Apple Music and more and you can see him in future seasons of Law & Order:SVU when it returns to television in the fall. 



CFF2020 Review: ‘The Beach House’ is a familiar premise told with a modern twist in Jeffrey A. Brown’s directorial debut.

"THE BEACH HOUSE" (2019)
 Written & Directed by Jeffrey A Brown


Review by The Great Muji

A fog/mist rolls in off the ocean but this time it’s not filled with lepers looking for stolen treasure or monsters from another dimension. It’s filled with, well, something else. Trying to figure out what is in the fog and how to survive it is the basic problem that our central characters must deal with in Jeffrey A. Browns The Beach House. 

The film starts with couple Emily (Liana Liberato) and Randall (Noah Le Gros)  taking a vacation to the beach. When they show up to Randall’s families beach house they are in for a big surprise when they find that a strange couple has already taken up residence there for the weekend. The couple claims to be friends of Randall’s father and have permission to be there. This is a great set up, as your mind immediately races with all the possibilities of who these people may be. Are the strangers who they say they are? Are they crazy murderers? Are they pod people? Granted, the number of scenarios you think of is probably dependent on how many horror/sci-fi movies you’ve seen. If you are reading this, I’m guessing its likely a lot.  This set-up really sets the mood for what is to come. 

The constant tension that starts in the opening scenes is built upon by a lot of great story choices throughout the film. There is clearly a strange fog approaching but the couples have all eaten edibles, so they are not able to accurately assess the dangerous situation. They all feel sick the day after the fog has come but this could just be the aftereffects of a bad trip. Jane (Maryanne Nagel), part of the strange couple already at the house, seems particularly sick, but its already been clearly established that she was sick to start with. All the strange things happening seem to have plausible explanations that help to distract our characters from realizing that there is something very wrong until it’s too late.

The filmmakers use the setting of the beach to its maximum potential. The scenes on the beach are bright and beautiful, which really is a great contrast to the horror that is unfolding before our eyes. If you aren’t a fan of films that are more atmospheric than action oriented, then fear not. There is also a great body horror scene and some good-looking monster effects later in the film. 

The Beach House is also really carried by a couple of really good performances, particularly by lead Liana Liberato. Her portrayal of Emily is really central to the film’s success. Emily is smart and capable. Her background as a chemistry major gives her more insight into what is happening with the fog as she is the first character to realize the danger she is in. The movie does a great job of building up the characters before the shit really hits the fan.

Despite being a familiar premise, The Beach House is different enough that I found it very enjoyable. This atmospheric eco-horror/sci-fi film is one that I would recommend to anyone who loves their horror abstract and loves to leave a movie with more questions than answers.


Friday, May 22, 2020

CFF2020 Review: Attack Of The Demons Is An Unlikely But Earnest Love Letter to 80s Horror.

Attack Of The Demons
Directed by Eric Power
Written By Andreas Petersen


                                                   
                                         

Review by The Rev Dan Wilson

One of the biggest "talent acquisitions" so to speak for the 2020 Chattanooga Film Fest was the addition of Cinepocalypse founder Josh Goldbloom as Artistic Director.  The Chicago based festival has become a can't miss event in recent years and his eye for unique filmmakers is a perfect fit for CFF and adds a lot to the over all vibe.

2019's Attack Of The Demons from Director Eric Power made its debut at Cinepocalypse 2019 to a rousing response and it continues it's momentum right on into CFF. The animation style is very primitive, and done with such a unique flavor it has to be intentional. Of course I couldn't help but make comparisons to the early South Park episodes as many have. Hell it is even about a small Colorado town. I also had some Home Movies flashbacks. There is something beautiful about the simplicity of it, and the creators take full of advantage that. I almost hate to call the animation crude (though I can't think of a better word currently) because it was clearly done in painstaking detail, but that's also part of what makes it ....kind of incredible?

It takes place in the mid 90's, during Halloween, and there's demons and blood and gore a plenty, not to mention great music. While we've been conditioned to accept this kind of animation primarily in outrageous comedies, you will be shocked at how well it works played completely straight. It is as if a wildly creative group of individuals got together and wrote a balls to the wall 80s Evil Dead style demon-tusslin' flick and decided the only thing they had at their disposal to make it was a dude who was amazing at cardboard style animation. The results will leave you grinning from ear to ear. I didn't really know what to expect going into this one and I was just blown away by the creativity on display here and eagerly await what the future holds for these filmmakers.

CFF2020 Review: Eat, Brains Love A Smorgasbord Of Sex, Laughs & Gore

Eat, Brains, Love 
Directed by Rodman Flender
Written by Mike Herro and David Strauss

Review by Dreamboat Anni



WARNING: Spoliers Ahead!

The producers of One Tree Hill meetup with the director of Idle Hands to bring us another film about teenage sex, only this time, they're fuckin' zombies. And yes, that is the correct "they're."

Eat, Brains, Love is an 87 minute ZomRomCom about a stoner and a high school it-girl overcoming stereotypes, eating their friends and running from a mysterious government agency that's hunting them down using a fellow teen with psychic powers. The virus is, as expected, transmitted sexually, but don't expect any sexualized nudity, we are talking about high schoolers, here. Think CW sex scenes. The nudity is saved for a middle aged dude who gets his balls eaten off, but hey, the dick's all yours.
After engaging in *gasp* unprotected sex, but not with each other, both Jake (Jake Cannavale) and Amanda (Angelique Rivera) have unknowingly been infected with a virus that makes them hunger for human flesh. Following a feast of their classmates and finding themselves being hunted by the NCD, the Necrotic Control Division, and their psychic powered protege, Cass (Sarah Yarkin), the duo are saved by a couple of fellow z-bobs who let them know what's up. After snacking on vermin, the hippie/militant zombie power couple present Amanda and Jake with a Thanksgiving worthy meal: an unpunished rapist and child molester. When the meal is over and the flesh is down to bone, so are our gracious hosts, who waste no time getting to it on top of a bloody carcass.

The NCD, meanwhile, is using their mind-reading mädchen to track them down. The only roadblock is Cass' growing fondness for Jake, the only Necro (and possibly teen boy) to ever be nice to her. The NCD Director, Alastaire (Patrick Fabian), uses this against her to get the location of our undead teens, but they've ready fled to Amanda's crazy brother who believes in zombies' house, because of course she has a brother who already believes there's zombies.
Cass can't mind her own business and when she spys Jake and Amanda doing the unskinny bop, she gives the go ahead to do them in. Daddy/Director Alastaire sends in Amanda's experimental attack zombie ex-boyfriend (where'd ya think she got it?) to do the dirty work, but it doesn't go to plan. Escaping out the back, Cass' partner Tom (Jim Titus) shoots Amanda and attempts to take out Jake, which prompts pleas for mercy from Cass... Amanda takes advantage of this distraction and rips out Tom's throat. Daddy Alastaire doesn't care about Tom, and Cass has had enough. She flees to the woods and finds Jake, who only wants to find Amanda, so she uses her abilities to lead them to the NCD labs, make a shout out to Star Wars, and rescue the zombabe. Oh, and release ALL the hangry "necros" they've had locked up for who knows how long. The final boss level was surprisingly easy, and Alastaire goes down in a bloody spray. Our trio hop in a car and head to Iowa, where there is a rumored cure, but all they find is the weird, fur-clothed girl named Mazzy (Xena Zeit-Geist) that Jake got freaky with, and all her friends.

The gore is aplenty, from a lunch room body buffet to the aforementioned old dude's castration, and the use of both practical and CG effects were well balanced. Cass, the psychic teen zombie hunter, gives off strong Eleven-Meets-Liv vibes, while Jake and Amanda are representing Bizarro World Zombieland with their Road Trip to Safety. If this sounds like a ridiculous mashup with a twist on every zombie movie you've ever seen... you'd be right, but it works somehow. 

Monday, May 18, 2020

SHV - S06E07 - Body Bags (1993)

The John Carpenter Terror Timeline continues as we cut in to this anthology film that was originally planned to be Showtime's answer to Tales From The Crypt. We'll learn about the numerous celebrity cameos, how many of these actors went on to work with Carpenter in the future, Tobe Hooper's involvement, and so much more. We'll also cover the period from 1988 to 1993 and what the horror master was up to during that time including Memoirs Of An Invisible Man. 

Monday, May 11, 2020

SHV - S06E06 - They Live (1988)

Part 6 of the John Carpenter Terror Timeline looks at one of  the director's most beloved films. This film has been dissected, examined, misinterpreted, and when you look around at the horrible state of the world today, like many of Carpenter's works it seems prophetic and ahead of it's time. Plus it has a pro wrestling connection in the legendary Roddy Piper, which always lends to an entertaining episode given Dan's background.  Now..."put on these glasses, or start eatin' that trash can. "

Monday, May 4, 2020

SHV - S06E05 - Prince Of Darkness (1987)

This week on Seeking Human Victims we take on one of John Carpenter's strangest and polarizing films, "Prince Of Darktness.". We learn how this film was born out of Carpenter's frustration with the studio system after his experiences on big Trouble In Little China and Star Man. WIth Prince of Darkness we get the masters true and uncompromising vision realized like never before. Join us smack dab in the middle of the battle between science and religion. 

Monday, April 27, 2020

SHV - S06E04 - Christine (1983)

Two of the greatest forces in horror ever combine with this 80's killer car classic as John Carpenter takes on Stephen King. On this episode we'll learn briefly what Carpenters involvement was in the early Halloween sequels, the fallout of The Thing,  what King property Carpenter was working on prior to this that didn't happen, and much more in Part 4 of the John Carpenter Terror Timeline!

Monday, April 20, 2020

SHV - S06E03 - The Thing (1982)

Part 3 of the John Carpenter terror timeline is here as we cover 1981 and 1982 in the life of JC, briefly covering Escape From New York and how he landed his first major studio directorial gig with Universal for a remake of one of his all time favorite movies. We'll learn about the lengthy development process of the film, the ground breaking effects of Rob Bottin, the stellar performances of Kurt Russell, Keith David, Wilford Brimley and more and deeply examine what lead to the bizarre critical and financial failure of a movie that is now considered one of the greatest horror films ever made. 

Monday, April 13, 2020

SHV - S06E2 - The Fog (1980)

Part 2 in the John Carpenter Terror Timeline is here! This week we're exploring the quiet coastal town of Antonio Bay where a deadly 100 year old secret has returned for vengeance. Find out how Carpenter himself hated the original cut of the film, but managed to find the movie he wanted via reshoots and post production, the full scoop on the greatness of Tom Atkins, how it was odd that Jamie Lee Curtis was cast in a supporting role but the marketing used her image to sell the film and so much more!)

Monday, April 6, 2020

SHV - S06E01 - Halloween (1978) Remastered

For season 6 we're diving into the life and career of the man we consider the greatest of all time, the legendary John Carpenter. Long time listeners may remember we broke down the movie Halloween back in season zero "The ABCs of Horror" which left us in a pickle. We couldn't examine the horror films of Carpenter in a full season without including Halloween, but we'd already done an episode on it! Our solution, over 30 minutes of brand new content AND the old episode combined into one brand new introduction to the John Carpenter season. Without further delay, the John Carpenter: Terror Timeline Season has begun!!!!  

Monday, March 16, 2020

SHV - S05E10 - The Creature From The Black Lagoon.

The season finale of Universal Monsters has arrived, but we're going out with a bang. Enjoy this giant sized episode examining all aspects of "The Creature From The Black Lagoon." We'll look at how the real life horror of WWII briefly killed off the horror film and made way for the Sci Fi genre and how this film is a bit of a bridge between those two eras. How director Jack Arnold was pretty much the father of 50's sci fi, how and why 2 different actors played the creature, the interesting story of the suit creation and design itself, how this film was an innovator in so many different ways and so much more. We'll also spend some time looking at the legacy of the Universal Monsters franchise as a whole. 

Monday, March 9, 2020

SHV - S05E09 - Abbott & Costello Meet Frankenstein (1948)

Universal Monsters season is almost over as they have finally descended into parody. This week we talk about one of the most polarizing of all of the Universal Monster movies - Abbott & Costello Meet Frankenstein. Find out how Bela Lugosi finally got to return to the role of Dracula, what studio changes lead to the Monsters going away again for an extended period, a dive into the argument of whether or not this film is canon and so much more

Monday, March 2, 2020

SHV - S05E08 - House Of Frankenstein (1944)

You liked 2 monsters eh? Here, have alllll the monsters. This week on Seeking Human Victims, we're getting to the end of the line of Universal Monsters season with House Of Frankenstein. Boris Karloff returns to the monsterverse, but this time playing the mad doctor and Glen Strange debuts as Frankenstein's monster under the wing of Karloff himself. Lon Chaney, Jr returns for his 3rd performance as Larry Talbot and John Carradine debuts as Count Dracula in what is the 3rd Wolf Man film, and also the 6th Frankenstein film, and the 4th Dracula film. 

SHV - Thanksgiving Special 2020 - Pumpkinhead (1988)

  We're back in 2020 for more holiday bonus episodes as we attempt to start a new Thanksgiving tradition with the Pumpkinhead franchise....